Generation and Culture in Doce cuentos peregrinos Essay -- Garcia Marq

  Ã‚  Ã‚   An enormous sea serpent nailed by the neck to the door frame is also nailed at the beginning of Gabriel Garcia Marquez's "El verano felà ­z de la Seà ±ora Forbes" from his novel "Doce cuentos peregrinos." This short story is an eloquent representation of the unconscious state of mind of dominance in which the result of previous concepts of life and costumes achieved are just vague figures trying to make up a non-abstract drawing that represent power. Generations and cultures are being confronted, characteristic of a dense ambient in which two different manners of applying the rules of society provoke an ironic reaction of rebellion that apply to a macrocosm. The title means "Miss Forbes's summer of happiness." The time of the year, the island surrounded by the dark blue sea, together with Miss Forbes's summer, narrate the environment in which the story is developed. The house is very small, and this helps to increase the tension that prevails from the start of the stor y to the end. There is a lot of repression. Many of the things are overwhelmed with rightness to agree with the normal kind of person that is used to live in an open society free of all kinds of discrepancies and orthodox methods of life. "Negra y fosforecente" (189) is the first impression that the story gives to the reader. This anticipates the darkness and at the same time vivid aspect that the story is going to have by describing the sea serpent on the door. The intense terror of seeing the "animal crucificado" (189) turns to a bigger matter that is entitled as the beginning of the long journey of hell that society is living in. The younger kid thinks that the moray "Tenà ­a ojos de gente" (191). He was still frightened; he saw the antecedents and consequenc... ...en once the rebellion took place. A courageous society takes all responsibility from its back whenever a major level goes down. As Garcia Marquez suggests, this determines a stabilized level of power where distinctions are to be created again to be taken to a macrocosm, and prove that rules, even in the highest level of hierarchy may be mistaken or not proper to the generation or culture that the society is living in.    Works Cited and Consulted Garcia Marquez, Gabriel. Doce cuentos peregrinos. Buenos Aires: Editorial Sudamericana, 1992. Garcia Marquez, Gabriel. Strange Pilgrims: Twelve stories by Gabriel Garcia Marquez. Trans. Edith Grossman. New York: Alfred A. Knopf, 1993. Molinario, Nina L. Foucault, feminism and power: Reading Esther Tusquets. Lewisburg: Bucknell University Press; London; Cranbury, NJ: Associated University Presses, 1991. Generation and Culture in Doce cuentos peregrinos Essay -- Garcia Marq   Ã‚  Ã‚   An enormous sea serpent nailed by the neck to the door frame is also nailed at the beginning of Gabriel Garcia Marquez's "El verano felà ­z de la Seà ±ora Forbes" from his novel "Doce cuentos peregrinos." This short story is an eloquent representation of the unconscious state of mind of dominance in which the result of previous concepts of life and costumes achieved are just vague figures trying to make up a non-abstract drawing that represent power. Generations and cultures are being confronted, characteristic of a dense ambient in which two different manners of applying the rules of society provoke an ironic reaction of rebellion that apply to a macrocosm. The title means "Miss Forbes's summer of happiness." The time of the year, the island surrounded by the dark blue sea, together with Miss Forbes's summer, narrate the environment in which the story is developed. The house is very small, and this helps to increase the tension that prevails from the start of the stor y to the end. There is a lot of repression. Many of the things are overwhelmed with rightness to agree with the normal kind of person that is used to live in an open society free of all kinds of discrepancies and orthodox methods of life. "Negra y fosforecente" (189) is the first impression that the story gives to the reader. This anticipates the darkness and at the same time vivid aspect that the story is going to have by describing the sea serpent on the door. The intense terror of seeing the "animal crucificado" (189) turns to a bigger matter that is entitled as the beginning of the long journey of hell that society is living in. The younger kid thinks that the moray "Tenà ­a ojos de gente" (191). He was still frightened; he saw the antecedents and consequenc... ...en once the rebellion took place. A courageous society takes all responsibility from its back whenever a major level goes down. As Garcia Marquez suggests, this determines a stabilized level of power where distinctions are to be created again to be taken to a macrocosm, and prove that rules, even in the highest level of hierarchy may be mistaken or not proper to the generation or culture that the society is living in.    Works Cited and Consulted Garcia Marquez, Gabriel. Doce cuentos peregrinos. Buenos Aires: Editorial Sudamericana, 1992. Garcia Marquez, Gabriel. Strange Pilgrims: Twelve stories by Gabriel Garcia Marquez. Trans. Edith Grossman. New York: Alfred A. Knopf, 1993. Molinario, Nina L. Foucault, feminism and power: Reading Esther Tusquets. Lewisburg: Bucknell University Press; London; Cranbury, NJ: Associated University Presses, 1991.